Sunday, 6 November 2016

Sunday WW1 Remembered...

Inspirational female poets of the First World war is the theme for November 

 I am delighted to start with Mary Borden


Born into a wealthy Chicago family, Mary, known as May, attended Vassar College and graduated in 1907 with a BA. Whilst on a tour of the Far East she met Scottish missionary George Douglas Turner. They married and had three daughters. In 1913, May moved to London and became involved in the suffragette movement and spent five days in prison for throwing a stone through the window of HM Treasury.

On the outbreak of war, May used her own money to set up and run a hospital at Bray-Sur-Somme for French soldiers. Whilst working as the hospital,  May met and fell in love with Brigadier General Edward Louis Spears. Her marriage to Turner was later annulled and her husband took custody of their daughters. For her work at the hospital, often under heavy bombardment, May was awarded the Croix de Guerre and the Légion d’honneur.

During wartime, and influenced by the suffering of the soldiers she nursed, she wrote intense and graphic poetry which highlighted the agony and senseless loss she witnessed on a daily basis. Her war time experiences at the front are eloquently expressed in her book,  The Forbidden Zone written during her war experiences but which was blocked by military censorship. It was later published in 1929.

Mary Borden, later Lady Spears, survived the war and lived in France until her death in 1968 having lost much of her fortune in the Wall Street Crash.

In 2015, one hundred years after they were written, Poems of Love and War by Mary Borden , edited by Paul O'Prey, was published.

More about Mary Borden can be found by reading  Mary Borden : A Woman of Two Wars by Jane Conway

Here is the poem for which she is perhaps, most recognised.

At the Somme : Song of the Mud

This is the song of the mud, 

The pale yellow glistening mud that covers the hills like satin; 

The grey gleaming silvery mud that is spread like enamel over the valleys; 

The frothing, squirting, spurting, liquid mud that gurgles along the road beds; 

The thick elastic mud that is kneaded and pounded and squeezed under the hoofs of the horses; 

The invincible, inexhaustible mud of the war zone. 

This is the song of the mud, the uniform of the poilu. 

His coat is of mud, his great dragging flapping coat, that is too big for him and too heavy; 

His coat that once was blue and now is grey and stiff with the mud that cakes to it. 

This is the mud that clothes him. His trousers and boots are of mud, 

And his skin is of mud; 

And there is mud in his beard. 

His head is crowned with a helmet of mud. 

He wears it well. 

He wears it as a king wears the ermine that bores him. 

He has set a new style in clothing; 

He has introduced the chic of mud. 

This is the song of the mud that wriggles its way into battle. 

The impertinent, the intrusive, the ubiquitous, the unwelcome, 

The slimy inveterate nuisance, 

That fills the trenches, 

That mixes in with the food of the soldiers, 

That spoils the working of motors and crawls into their secret parts, 

That spreads itself over the guns, 

That sucks the guns down and holds them fast in its slimy voluminous lips, 

That has no respect for destruction and muzzles the bursting shells; 

And slowly, softly, easily, 

Soaks up the fire, the noise; soaks up the energy and the courage; 

Soaks up the power of armies; 

Soaks up the battle. 

Just soaks it up and thus stops it. 

This is the hymn of mud-the obscene, the filthy, the putrid, 

The vast liquid grave of our armies. It has drowned our men. 

Its monstrous distended belly reeks with the undigested dead. 

Our men have gone into it, sinking slowly, and struggling and slowly disappearing. 

Our fine men, our brave, strong, young men; 

Our glowing red, shouting, brawny men. 

Slowly, inch by inch, they have gone down into it, 

Into its darkness, its thickness, its silence. 

Slowly, irresistibly, it drew them down, sucked them down, 

And they were drowned in thick, bitter, heaving mud. 

Now it hides them, Oh, so many of them! 

Under its smooth glistening surface it is hiding them blandly. 

There is not a trace of them. 

There is no mark where they went down.

The mute enormous mouth of the mud has closed over them.

This is the song of the mud,

The beautiful glistening golden mud that covers the hills like satin; 

The mysterious gleaming silvery mud that is spread like enamel over the valleys. 

Mud, the disguise of the war zone; 

Mud, the mantle of battles; 

Mud, the smooth fluid grave of our soldiers: 

This is the song of the mud.


  1. What a woman! And what a poem too. The interplay of words is fascinating and the images created at the beginning and end with those in the middle are vivid.
    Thank you for sharing.

    1. Thank you, Ros. I think she was very much influenced by Whitman's style of writing.

  2. I've never heard of Mary Borden, thank you for introducing her. What an interesting person, and such a powerful poem...


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