Showing posts with label Imperial War Museum. Show all posts
Showing posts with label Imperial War Museum. Show all posts

Wednesday, 30 September 2020

Blog Tour ~ Green Hands by Barbara Whitton

 

Delighted to host today's Blog Tour stop


Imperial War Museum
10 September 2020

My thanks to the publishers and to Random Things Tours for my copy of the book
and the invitation to be part of the blog tour.




It is 1943, and a month into their service as Land Girls, Bee, Anne and Pauline are dispatched to a remote farm in rural Scotland. Here they are introduced to the realities of 'lending a hand on the land', as back-breaking work and inhospitable weather mean they struggle to keep their spirits high. Soon one of the girls falters, and Bee and Pauline receive a new posting to a Northumberland dairy farm. Detailing their friendship, daily struggles and romantic intrigues with a lightness of touch, Barbara Whitton's autobiographical novel paints a sometimes funny, sometimes bleak picture of time spent in the Women's Land Army during the Second World War.


What did I think about it..

I had an aunt who spent time during WW2 as a Land Girl, she was stationed on a farm in Castle Cary, in Somerset, and always said that, although the work was physically challenging, she had a great time. One of the best things she learned was how to French braid a horse's mane which was really useful whenever I needed my hair plaited.

In Green Hands we follow the fortunes of  the Land Girls, Bee, Anne and Pauline, and from their awful back breaking challenge of picking mangold wurzels on a truly inhospitable farm in rural Scotland, to their more pleasant experience of working on a Northumberland dairy farm, there was never a dull moment. That the work was physically challenging was never in doubt but I think what truly comes across is the sheer bravado and solid determination of the land girls to succeed in a world which was very different. Keeping their femininity intact, whilst knee deep in muck, was a real challenge but the added touch of  a bright scarf or a dash of red lipstick helped to keep their morale high, and good food, especially cake, lifted their spirits.

Based on the author's own experiences of being in the Women's Land Army, reading Green Hands has been like stepping back in time, and the experiences of Bee, Anne and Pauline are brought to life in a way that modern writers of historical fiction don't always succeed. There's nothing like writing about what you know, and Green Hands was written by Barbara Whitton in 1943. In the introduction to the book, we are told that she wrote the first draft of the story in a week, it would seem that the author's Land Army experiences were so vivid that she couldn't wait to put pen to paper!

I'm so glad that the author wrote this fictional account her time in the Women's Land Army,  I've enjoyed every well written word.


About the Author


MARGARET HAZEL WATSON (writing under the pseudonym Barbara Whitton) was born in Newcastle-upon-Tyne in 1921. She was educated at the Church High Girls School in Newcastle, and later sent to St Leonards School in St Andrews. Due to study Art in Paris, her training was curtailed by the outbreak of the Second World War. Having volunteered for the Women's Land Army (WLA) in 1939, she worked as a Land Girl for around a year before moving to the First Aid Nursing Yeomanry (FANY) and later joining the Auxiliary Territorial Service (ATS) as a driver, where she remained for the duration of the war. Her novel Green Hands is a fictionalised account of her time spent as a Land Girl, detailing the back-breaking hard work and intensity of her experience with good humour and an enchanting lightness of touch. 

During her time with the ATS she met her husband Pat Chitty and they were married in 1941. After the war, she wrote a number of accounts of her wartime experience and retained an interest in art, literature and horticulture throughout her life. She died in 2016.


Twitter @I_W_M #wartimeclassics

@angelamarymar

@RandomTTours




Sunday, 13 May 2018

Sunday WW1 Remembered..




Scheduled (or reserved) Occupations


In March 1916 voluntary enlistment wasn't deemed sufficient to meet the demands of war. Under the terms of the Military Service Act 1916 all medically fit single men between the ages of 19 and 41 were deemed to have enlisted in the armed forces on 2 March.

In May 1916 a second Government act extended conscription to married men and the age limit was lowered to 18. Conscripted men had no choice about which service, regiment or unit they joined.

By 1918 the age range had been further extended to age 51.

There were some exemptions to the call up :

Clergymen
Doctors
Teachers
Coal miners
Iron and steel workers who produced vital equipment and ammunition.



The Forces at Home: Recruitment poster showing a small girl sitting on her father's knee captioned 'Daddy, what did you do in the Great War?
© IWM (Q 33122)

Those who considered themselves exempt due to poor health, disability or family restrictions, had to apply to a tribunal to be considered for exemption.

Those who were exempt from military service were issued with papers and badges to prove they were undertaking war work. This lessened the societal pressure on those who didn't or couldn't join up and gave them the opportunity to show that they were working in the national interest.

First World War 'On War Service' badge. 'On War Service' badges were issued by the government and private firms from December 1914 onwards to signify that the wearer was engaged in essential war work.


This is a circular enammelled metal badge with '1915' in gold-coloured metal inlaid within a maroon horizontal band (forming a diameter) of the white enamel centrepiece which is in turn enclosed by a blue band bearing in gold the inscription: 'ENGAGED ON GOVERNMENT WORK.

© IWM (INS 7804)

Sunday, 21 August 2016

Sunday WW1 Remembered...





War Artists of WW1


Forty years years ago I paid my first visit to the Imperial War Museum in London and I was stunned by the stark images of WW1 which were so graphically portrayed by the war artists. These images have stayed with me forever. I can remember standing before this painting and just looking, looking, looking....



The Menin Road
Paul Nash
1919


My picture




Paul Nash born in London in 1889 was a surrealist painter who produced some of the most iconic images of the First World War. He enlisted in 1914 as a private for the Home Service in the Artists Rifles. He was sent to the Western Front in February 1917 as a second lieutenant in the Hampshire Regiment. Based at St Eloi on the Ypres Salient, Nash endured the war until an accident in May 1917 invalided him back to London. During his recuperation, Nash produced a series of drawings in ink, chalk and watercolour which depicted his personal images of the war. He exhibited these pictures to great acclaim, which resulted in his approaching Charles Masterman who was head of the government's War Propaganda Bureau. In November 1917, Nah returned to the Ypres Salient as an official war artist.





Spring in the Trenches, Ridge Wood , 1917
Paul Nash

Imperial War Museum London
Source :Wikipedia


The official war artists were a group of artists employed to produce specific works at the behest of the government which could be used as information, propaganda or simply to record, for prosperity, what was happening  on the Western Front.

Muirhead Bone was appointed the first official war artist in May 1916. Bone was born in Glasgow in 1876 and was an etcher, dry point and water colour artist who was known for his architectural and industrial art. Bone was later replaced as official war artist by his brother-in-law, Francis Dodd.

Francis Dodd  was born in Holyhead in 1874. He was a portrait painter, landscape artist and print maker. He produced over 30 portraits of senior official military figures.

In 1917, other artists were sent out to France, these included Eric Kennington, William Orpen, Paul Nash, Christopher Nevinson, William Rothstein.





An Infantryman Resting

Eric Kennington

An Infantryman Resting Art.IWMART1038.jpg
Sourse:Wikipedia

None of the artists could fail to be moved emotionally by what they saw and witnessed



Paul Nash said......"I am no longer an artist interested and curious, I am a messenger who will bring back word from the men who are fighting to those who want the war to go on for ever. Feeble, inarticulate, will be my message, but it will have a bitter truth, and may it burn their lousy souls...."






~***~