Showing posts with label Annemarie Neary. Show all posts
Showing posts with label Annemarie Neary. Show all posts

Thursday, 27 July 2017

My author in the spotlight is...Annemarie Neary



I am delighted to welcome back to the blog, the author, Annemarie Neary on publication day of her latest novel, The Orphans 




Welcome back to Jaffareadstoo, Annemarie and thank you for spending time with us today


What inspired you to write The Orphans and how many rough drafts did it take before you were happy with the story?

The Orphans opens when the parents of two young children vanish on a Goa beach. Years ago, a friend told me about a woman she’d come across whose parents had vanished in similar circumstances. According to the story, the woman had fared OK, but her brother had floundered. Something about that floundering brother stayed with me. Years later, I was walking across the Common where I live in South London when I noticed a tall, very pale, young man standing by the side of the road. He was wearing a hi-vis vest that looked much too big for him and was staring fixedly at the parents and children leaving the school opposite. Right away, I had a character and the story went from there. I think I had about seven or eight drafts.


The Orphans explores the concept of abandonment. How did you research this and were you surprised by anything you discovered?

I focused on trying to get inside the characters. I did do some research, case studies and the like, but really I think you have to imagine the emotional impact from the inside out. You need to put yourself into the position of those children and the adults they might become. In the case of Jess, I suppose I worked backwards. I selected a risk-averse, cautious woman whose life choices have been built upon the desire to neutralise chance. I think there are a lot of people who try to control life like that, who are fearful, and I thought Jess might well have been similar. What I did research, however, was the particular psychology of her younger brother, Sparrow (Ro). I hope he’s convincing! 


Whilst you are writing you must live with your characters. How did you feel about them when the book was finished?  Did they turn out as expected?

I wanted Jess to be able to change over the course of the book. I knew she would have to move out from behind her defences, though I wasn’t sure how that would play out. As for Ro, I was surprised at how attached I became to him, despite the terrible things he does.


How did you go about creating such a strong sense of time and place?

I’ve lived on a south London common for twenty years, so all it took was to keep my eyes and ears open. My previous novels have entailed much more location research – Berlin and Dublin during WW2, Belfast during the Troubles, an offshore Irish island in the recent past. The locations in my short stories are even more far-flung, ranging from Venice, Sarajevo, Algiers to entirely imaginary places. This is the first time I’ve had the luxury of just wandering across the road.


When you started writing The Orphans did you already know how the story would end?

No, I had no idea. When I started, all I had was those golden children on a Goa beach (and a strange young man twenty-odd years later in a high vis vest). 


And finally, what can we expect next from you?

I’m working on a suspense novel. It’s set overseas, at the shadowy margins of the oil industry, in a world of fixers and deal-makers, bluff and counter-bluff. Needless to say, my POV character finds herself seriously out of her depth.  It’s still early days, and I don’t want to jinx it, so I’d better just leave it at that.  

You can find out more about Annemarie and her writing on her website by clicking here

Follow on Twitter @AnnemarieNeary1



My thanks to the author for answering my questions about The Orphans so thoughtfully and also to Laura at Penguin Random House for my review copy of this book.


My thoughts about the book


Hutchinson
July 27th 2017



The opening chapter of this thought-provoking novel really draws you into the story and sets the scene for what is to come. The idea that two young children can play happily on a sun drenched beach, only to have the realization dawn on them, particularly on the elder child, that their mother and father have quite simply disappeared, doesn't bear thinking about. What then follows, for both Jess and Ro (Sparrow), is their constant sense of searching, each taking a very different path, as they learn to cope, in their own very individual way, with such a devastating loss.

The Orphans is a story about family and of the ties that bind us together. It's about expectations and the dreams of securing a semblance of hope when dark shadows of the past continue to influence the future. In many ways, it's a deeply contemplative story, consisting of many layers, which when peeled back reveal more and more facets of the effects of abandonment, of loss and unresolved grief. Thoughtfully created, both Jess and Sparrow have been irreparably damaged by their childhood experiences. With thoughtful precision and clever writing, we learn what makes Jess and Sparrow act and react, and always, I think, regardless of the fact that we see them as adults, that there is always a sense of the abandoned child about them.

I can remember very vividly as a young child turning in a busy department store and not being able to see my mother, that heartrending lurch of the stomach and the overwhelming sense of panic that resulted when I searched and searched and couldn't find her. I remember being taken by the hand and led to a cluttered office where an appeal was made over the tinny PA system and the relief when my mother arrived filled with her own sense of panic.

To lose someone and never to find them is unimaginable, that constant feeling of searching must be so very difficult to accept. In The Orphans, the author fills this novel with that devastating and incomprehensible sense of loss and abandonment in a suspenseful story with all the fundamental principles of family at its heart. Beautifully written, cleverly crafted, and with a fine eye for detail, this is another great story by a talented writer.




The Orphans by Annemarie Neary is published by Hutchinson in eBook and hardback priced £14.99.





Wednesday, 28 December 2016

Review ~ Siren by Annemarie Neary



25955307
Hutchinson
2016

 A bit of blurb..


R贸is铆n Burns has spent the past twenty years becoming someone else; her life in New York is built on lies. 

A figure from her Belfast childhood flashes up on the news: Brian Lonergan has also reinvented himself. He is now a rising politician in a sharp suit. But scandal is brewing in Ireland and R贸is铆n knows the truth. 

Armed with the evidence that could ruin Lonergan, she travels back across the Atlantic to the remote Lamb Island to hunt him down. 

But Lonergan is one step ahead; when R贸is铆n arrives on the island, someone else is waiting for her.


My Thoughts...

The beginning of the novel is both disturbing and intriguing and undeniably sets the scene for a tense and often violent look into the shadowy world of Ireland's past.

R贸is铆n Burns seems to have left the past behind her, but as with all things in her life there is only so far and so fast that she can run to outwit her demons. When she discovers that someone from her past has resurfaced she realises that the only way to exorcise her demons is to confront them. Returning home to Ireland is never going to be easy but in this one thing R贸is铆n doesn't really have any option.

I thought that the book was really quite gripping, with a fast and furious narrative which doesn't pull any punches. The author writes with fascinating conviction and opens up to scrutiny the whole idea of conflict and of the effect that the Irish troubles had on those growing up during the worst of the violence.

Siren is one of those books that, once you start, you can't put down. Its high octane realism keeps you on the edge of your seat and doesn't let up until the story is concluded.



Best read with ...two fingers of Irish whiskey and a guest house breakfast..



Annemarie is an Irish-born, London-based novelist and short story writer.

Annemarie Neary


Visit her website by clicking here 

Follow on Twitter @AnnemarieNeary1





My thanks to the author for sharing her book with me 




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Thursday, 24 March 2016

Today my author spotlight shines on ....Annemarie Neary



I am delighted to welcome Annemarie Neary to Jaffareadstoo and to congratulate her on the publication of her second novel.



**Happy Publication Day**



25955307
Hutchinson ( Penguin Random House UK)
24 March 2016



A warm welcome to you Annemarie and thank you for spending time with us today...



Tell us a little about Annemarie Neary, author.


I’m about to publish Siren (my second novel, but my first psychological thriller), which is coming out on 24th March; I signed a 2-book deal with Hutchinson, an imprint of Penguin Random House UK, last year. My first novel, A Parachute in the Lime Tree, was published by The History Press Ireland in 2012. I also write short stories, I’m working on a tricky first draft of one at the moment. 


How long have you been writing and what got you started?


I first started writing seriously in about 2008. I took an extended career break when my 3rd son was born, and I’d been back at work for about 2 years when it became obvious that the whole juggling work/home thing wasn’t going too well. I conceded defeat, stopped work, then felt like a bit of a failure. I realized then that if I was ever going to write, this was the moment. I developed the habit of working to competition deadlines — write, edit, send, repeat — until I started to get somewhere. 


Where do you get your inspiration for a story from – are you inspired by people, places or do you draw purely from your imagination?


Place is a big factor for me, especially when it comes to short stories. It’s important is to be open to things; observe, eavesdrop, wonder about people, take notes when you can. Also, if you come across something that piques your interest, try to catch it before it disappears — pin it down in some form, even if it’s only a note on your phone. And don’t be afraid to combine disparate things – often that’s where the interesting stuff begins. 


What inspired you to write Siren , and what can you tell us about it that won’t give too much away?


I find the genesis of ideas a bit of a mystery, and one I hesitate to interrogate too closely in case the ideas stop coming! With Siren, I began with a short story that centred on the protagonist, R贸is铆n, during a night out that goes unimaginably wrong. For the moment, that was that. But even though the story was finished, I couldn’t let R贸is铆n go. I became fascinated by the potential ramifications of that night. What would R贸is铆n’s future hold?


What keeps you motivated as a writer?


Deadlines are good! Having a book published is an exciting, exhausting, anxiety-provoking business; it’s also quite addictive. Having said that, writing has become so integral to my life that I’d write even if I weren’t being published. The great thing about writing is that nothing need ever be wasted. Every frustration, boredom, sorrow and joy can be turned to use. 


Do you have a routine when you’re writing?


It depends whether I’m writing raw or editing. I find writing new material quite a difficult process. I’m never sure whether something is going to work until I’ve found the shape of it, and that’s often not until I’m quite a way in. I tend to be a night owl, so I love to write late at night when everyone else is asleep. A lot of people say you should write your raw material first thing in the morning while you’re still adjusting to the day, almost in dream mode. Colm T贸ib铆n says to ‘Stay in your mental pajamas all day’ which might be a bit of an ask for those of us with jobs and families! However, the vast majority of my writing work constitutes editing, so that can be done any time. 


What do you hope that readers will take away from your books?

That’s a very interesting question, and not one I’ve thought about before. I don’t know that I do have something I want readers to take away, partly because every book or story is different, and partly because I’m not directing my characters to behave in any particular way. I place them in peril or temptation or in the midst of a moral dilemma and they cope according to their personalities, desires, needs. 

In Siren, R贸is铆n reaches a crisis in early middle age that leads her to do something that is brave and foolhardy but absolutely essential for her emotional and moral wellbeing. I suppose I’m interested in courage, and what it takes to behave well in extreme situations. In fact, It’s just occurred to me that both R贸isin in Siren and Oskar in Parachute fail to act with courage at a particular point of crisis then spend the rest of the book determined, if not to replay things, to do better next time. 



Thanks so much for your questions, Jo, and for inviting me to the blog. 

It's been a real pleasure Annemarie, do come back and see us again soon...






Irish-born, Annemarie was educated at Trinity College and King’s Inns, Dublin and the Courtauld Institute, London. A former lawyer, she lives in London with her husband and sons.

Annemarie’s short fiction has won awards in the UK, Ireland and the US. Her UK debut, Siren, is forthcoming from Hutchinson (Penguin Random House UK) in Spring 2016. A Parachute in the Lime Tree was published by The History Press Ireland in 2012.















Find AnneMarie on her website
Follow on Twitter @AnnemarieNeary1

Amazon UK





Siren is available to buy online and from all good good book shops from


24 March 2016 




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