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| Pan MacMillan Picador 16 July 2026 Thanks to the publisher for the invitation to read this book |
Berlin, 1928. Hannah is new to the pleasures and freedoms of the city. She is a fledgling artist, a runaway, building a new life for herself in its galleries and clubs, and, at last, loving without boundaries.
But soon the party will be coming to an end. A consuming affair with her patron, Elke – the imperious wife of a powerful man – is reckless, yet life-changing, and it threatens to do more than ruin both of their reputations. Around them, people are disappearing. The shadows of something unspeakable are growing darker in the city. Hannah’s art could be the thing that secures her survival – or denies her any chance of escape.
π My Review…
Fledgling artist, Hannah Sherman wants more from life and has no interest in being shackled to an ordinary existence. Marriage and motherhood is not what she wants for herself. Dreary days spent working as a seamstress in her parent’s workshop Hannah longs for a way out and decides to take a huge leap of faith into a different life which is more suited to her exceptional artistic talent.
Leaving behind her family is challenging and Hannah struggles to find her place in an ever-changing society but the help of new found friends and with the benefit of securing the patronage of a wealthy woman there comes the opportunity for Hannah to paint however, it comes with a tortured sense of artistic freedom. I followed Hannah’s progression with great interest, filled with excitement when she is given an art commission to paint a series of female nudes only to realise with a sinking inevitability that Hannah is about to travel along a much darker pathway. Life, art, politics and sexuality all converge in a story which is deep in historical meaning and alive with a creeping sort of cultural menace, which can only end in tragedy.
Beautifully written, 1930s Berlin is brought to life, its initial vibrancy juxtaposed against the stark reality of Jewish persecution as the city enters into a dark chapter in its history. There is a realistic sense of unease which permeates throughout the entirety of the story and I couldn’t help but be fascinated as Hannah negotiates her way through the difficulties of living in a time of horrifying political and social changes, her interaction with people, both good and evil, would greatly influence her life going forward.
Slow and considered, Venus, Vanishing, is a commendable debut, it is a book which does not rush to get its message across but rather reveals its secrets in moments of flawed beauty and inevitable sadness. It lingers long after the last page is turned and so for that reason I am delighted to make it my Favourite Read of the Month for July.
About the Author
Rebecca Birrell is an art historian and a Bye-Fellow in the History of Art at Murray Edwards College, University of Cambridge. She was formerly the curator of nineteenth and twentieth century paintings and drawings at the Fitzwilliam Museum and has occupied curatorial positions at the Jewish Museum London, the Department of Prints and Drawing at the British Museum, and at the Charleston Trust. She studied English literature at University College London, followed by a master's in women’s studies at the University of Oxford and a PhD from the Edinburgh College of Art. Venus, Vanishing is her debut novel.


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