Saturday, 31 May 2014

Review ~ Kingmaker : Winter Pilgrims by Toby Clements

17999108
Century
Random House
2014

Kingmaker: Winter Pilgrims is a good solid start to a very promising War of The Roses series by new historical author Toby Clements.

The story opens in 1460 when a catastrophic betrayal at the Priory of St Mary in Lincoln forces Thomas, a young monk and Katherine, a nun, to flee the relative safety of their cloistered life. Together they embark upon a journey which plunges them into the very heart of civil war and the maelstrom of battle. And as the house of Lancaster pitches against the house of York, both Katherine and Thomas have momentous decisions to face before they can be at ease in this very troubled world.

This very accomplished historical debut focuses on the uncertain future faced by a country at odds with itself. Stark, often violent, the story pulls no punches in the face of conflict and even as Thomas discovers a penchant for soldiering, it is perhaps Katherine who needs to adapt the most, as her skill for healing is brutally realised in the face of fierce disturbance.

The story concludes in 1461, with the bloody and brutal battle for Towton, which was fast, furious, and lacking in any sort of human compassion but which undeniably marked a turning point in this deadly game of thrones. However, Thomas and Katherine’s story is far from concluded, and I am heartened that the ending of the book lends itself to a continuation of this commendable series of historical novels.

*~*~*

About the Author



 Toby Clements was inspired to write Kingmaker: Winter Pilgrims having first become obsessed by the Wars of the Roses after a school trip to Tewkesbury Abbey. 
This is his first novel.

***

Thursday, 29 May 2014

Maya Angelou....

Maya Angelou
Maya Angelou
1928-2014

Phenomenal Woman



Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.


 *~*~*

Wednesday, 28 May 2014

Review ~ Precious Thing by Colette McBeth

17934533
St Martin's Press
2014



This book delves into the minutiae of friendship and trawls through the almost impossible situation when one friend seemingly acts completely out of character, leaving the other bereft of feeling. Rachel and Clara are childhood friends who once declared that they would be friends forever and yet when a catastrophic event happens; it brings into dispute everything that was once thought was true about their friendship.

This is a difficult book to truly analyse as it throws up several anomalies about the unreliability of both narrator and perpetrator which is quite an interesting way of telling such a complex tale. However, there is much to take in; both in the way the story develops and also the way in which the characters are exposed and I think that to give too much away would be to spoil overall impact of the story for future readers.

I suppose what I must take away from the story, is that however well we think we understand someone, there is always the possibility that life can throw up a few unexpected surprises and not all of them will be pleasant ones.

My thanks to St Martin’s Press and NetGalley for my review copy of this book.



Tuesday, 27 May 2014

Author Guest Post and Giveaway with Elisabeth Gifford..

I am delighted to welcome back to Jaffareadstoo



Author


St Martin's Press
April 2014

Are there mermaids and seal people descendants living in the US today?



How legends sometimes hold lost history.

When I first heard the legend of the seal people I was struck by how sad it was. Selkies are seals in the water but become human on land. If someone steals their sealskin they can never go home to the sea again. I was amazed to find out from Gaelic historian John MacAulay that behind this legend lay very real people: kayakers in sealskin canoes and jackets who used to come down to Scotland and Ireland from Arctic Norway up to 200 year ago. If their kayaks and sealskins were damaged or stolen, then they would really be unable to return home.
               The Sea House became a story about people who can never go home again: about Moira who is cleared from her village and has her home burned by the landlord to make way for sheep; about Alexander who struggles to remain at home in his rigid beliefs; and a hundred years later, Ruth who not only has lost her mother but also her peace of mind after being cruelly treated in foster care. As the characters began to take on their own lives, I was especially surprised by Moira, how she seemed to want to jump up and speak for the anger that these dispossessed speakers carry. And she insisted that I give her a knife – the only question then being would she use it to take her revenge against her landlord, or would she find some kind of grace in her life to begin to build a new life?
               Writing The Sea House also became my attempt to try and create on the page the lives of two endangered ancient cultures, the Sea Sami and the Gaelic crofters, both communities that were persecuted and cleared from their lands and identities for years. And sadly for the Sea Sami, their branch of the Sami tribes has indeed disappeared in Norway, after the Samis were forcibly assimilated through laws and taxes. Both Sami and Scots Gaelic culture went through a period when even their beautiful language was banned and children were beaten if they spoke it in school.
               The Selkie story is in fact very old oral history, describing the Sami kayakers and how they appeared to the Hebridean islanders, as they stepped out of their seal skin kayaks and jackets and became men and women, sometimes falling in love with islanders and getting married.
               Some families in the Hebridean islands are known as the children of seal peoples, such as clan MacOdrum. Due to the clearances there are now no more MacOdrums left in Scotland, but I have begun to contact some of the remaining descendants in the US and Canada. This family really does have the sea people gene! They are probably partly descended from Samis who kayaked down from Norway hundreds of years ago.
               Sometimes these visitors to the Scottish coasts were described as mermaids. There is a famous mermaid funeral recorded on Uist in 1830, with people claiming to have seen and touched the body –a scene that I used in the novel. The idea for The Sea House began with a letter sent to the Times in London in 1809 reporting a mermaid sighting by a Scots schoolmaster. There were many such sightings, and it isn’t so surprising when you think how the Sami kayakers must have appeared to people who’d never seen a kayak before. The kayak would become waterlogged at the end of the day and sink just below the sea surface, so all you would see was a skin-clad half figure with a tail-like appendage wavering in the water!
               200 years ago the sightings stopped - exactly the date when the Sea Sami disappeared. By then, along with those of the Viking invaders, Sami genes were a part of the Scots heritage.
               And it’s a heritage that has carried across the Atlantic. Walking around in the US and Canada today will be descendants of mermaids and selkies, whose ancestors’ genes are not only Scots but also part Norwegian Sea Sami.
               The Sea House also explores the power of story, both to heal and to pass on actual history. Although the book is written as a quite gothic mystery, all the facts are from research and I hope will give the reader a feel for the experiences of the clearance years in Scotland, and of crofting life in the Hebridean islands – and of course a glimpse of the lost Sea Sami and their Eskimo style technology.


Harries island in the Hebrides
The setting for The Sea House


A seal gut jacket as worn by Arctic kayakers






Here is Julie Fowlis who sang the Gaelic tracks on Brave singing a song written by MacOdrum, the famous bard.





More information: 

Pinterest

***


Elisabeth ~ thank you for sharing this fascinating glimpse into a forgotten world and for giving so generously of your time.

Elisabeth is very generously giving away copies of The Sea House to 2 lucky US readers of this blog

and

And also a copy of Secrets of the Sea House to one lucky UK reader.


Enter this giveaway 




Sunday, 25 May 2014

Sunday War Poet...

Lady Margaret Sackville

(1881-1963)





Nostra Culpa



We knew the sword accursed, yet with the strong
Proclaimed the sword triumphant. Yea this wrong
Unto our children, unto those unborn
We did, blaspheming God. We feared the scorn
Of men; men worshipping pride, so where they led
We followed. Dare we now lament our dead?
Shadows and echoes, harlots! We betrayed
Our sons; because men laughed we were afraid.
That silent wisdom which was ours to kept
Deep buried; thousands perished; still we slept.
Children were slaughtered, women raped, the weak
Down-trodden. Very quiet was our sleep.


***

At the outbreak of WW1, Margaret Sackville joined the anti war Union of Democratic Control.  In 1916 she published a collection of poems called The Pageant of War. It included the poem "Nostra Culpa", denouncing women who betrayed their sons by not speaking out against the war. Her brother, Gilbert Sackville, was killed during the conflict in 1915.

Margaret had a passionate love affair with Ramsey MacDonald between 1913 and 1929, but refused to marry him. She never married.

Saturday, 24 May 2014

Review ~ Crimson Shore by Gillian E Hamer


22241585
Gillian E Hamer
2014


Crimson Shore sees a new departure for this author, who, with her previous books has made an impact with cross-genre crime fiction. However, in this new series of procedural crime novels the focus is more on the dynamics of an active crime office, and the back room banter between close knit colleagues allows a fascinating glimpse into the pressures they face, not just in their daily work, but also within their personal lives. 

When a series of unexplained dead bodies start to show up on the peaceful island of Anglesey in North Wales, the Bangor CID team, headed by DI Amanda Gold, have the devil’s own job in trying to keep one step ahead of a murderer who leaves virtually no evidence behind. With precious little to go on, DS Dara Brennan and DS Kelly Jones are left struggling, not just with a series of complex murder cases but also with their growing attraction to each other. As with any new series there is much to take in, the mechanism of a bustling CID office and the repartee between colleagues is done with a realistic understanding of the vagaries of police hierarchy, however, it is the journey into the mind of a killer where the story really starts to bite.

Placing a series of gritty crime novels in this peaceful corner of North Wales is an inspired choice of location, and this quiet, or maybe not so quiet little island really comes to life under the watchful eye of this talented author. However, don’t be fooled by the idyllic setting, as this story is by no stretch of the imagination either tranquil or cosy crime; there is a brutal killer on the loose and as the hard hitting violent behaviour thumps you into taking notice, very soon you start to jump at shadows and you see evil in every hidden corner.

I read Crimson Shore over the space of twenty four hours as I couldn’t tear myself away from it and was gripped by the sheer competence of an author who leads you gently by the hand into the presence of pure evil, and believe me, to have a safe pair of hands to hold in this novel is very comforting indeed.

I am sure that this is the start of a commendable series and I am already eager to catch up with DI Amanda Gold’s CID team in the not too distant future.


*~*~*



or if you can't wait then buy your own copy 

Available for kindle download now or in paperback from 1 June 2014

Friday, 23 May 2014

Author Guest Post and Giveaway with Gillian E Hamer

I am delighted to welcome back to Jaffareadstoo

Gillian E. Hamer




Write the book you want to read …

By Gillian Hamer

… has always been my motto. So, why, with the release of my next novel, CRIMSON SHORE, have I taken a step away from my love of pushing boundaries and writing cross-genre novels – and settled into mainstream crime fiction?
With my first three indie-published novels (The Charter, Closure & Complicit) I had taken my love for crime fiction, archaeology and history, plus a bit of paranormal, and mixed them altogether to result in a series of thrillers each with an otherworldly edge. And I was delighted with the results and so it seemed were the public at large.
Traditional publishing markets were, alas, not ready to welcome my recipe for cross-genre. At the time I still had a literary agent, who had made it clear from very early on in our representation back in 2010 that mixed-genre would not sell. ‘Crime readers read crime,’ she said. ‘Ghost stories are read my lovers of paranormal. A crime reader doesn’t want to read about ghosts. If publishers can’t see a market, they won’t buy the books. It’s all about sales for them.’
I didn’t agree but felt in no position to argue. With that ringing in my ears, I adapted one of my books into a straight crime detective series. For my own tastes, I still added a bit of a spooky element with the death of a psychic who foresaw murders. ‘Nope,’ came back the reply, ‘it’s still too paranormal, cut the psychic. How about a teacher?’
Through gritted teeth I rewrote the book. And rewrote the book. And then, just for fun, rewrote it again. I wrote the second in the proposed series whilst I was waiting for the first one to be agreed. I knew my writing was getting stronger, and finally it was deemed ready to pitch to publishers. And so began another waiting game.  I filled my time and continued with my cross-genre writing on the side, and by the time Triskele Books came into being in late 2011, I had two completed manuscripts.
Six months later, I was called down to London to meet an editor from a leading large publishing house. She loved my writing, she loved the characters, adored the location – but she thought the second novel had a stronger storyline. Could I make book two into book one of the series? I flinched at the amount of work, re-introducing characters and rebuilding relationships. But I smiled and nodded. And could I change some of the characters and take away some layers, add a stronger central core? Er. Yes, I thought, I suppose I can. You’re the experts, what have I to lose?
In the same twelve month period as I published both The Charter and Closure, I rewrote book two into book one and waited almost eight months to get a reply. The reply when it came was devastating. ‘I have other authors now, my books are full for this year, plus for personal reasons I cannot take on new authors.’
To say I felt let down is probably an understatement. I parted company with my agent, amicably, and decided that was the last time I would waste two years of my life. I’m not saying people in the industry aren’t experts and that up-and-coming writers should not listen to advice – of course they are and of course you should – but I just felt I’d been asked to jump through one hoop too many.
The positives? I’m back in control and with the increased success of indie-publishing, Triskele Books are carving a real reputation for their quality books and strong time and place brand. I now have two and half books written of a detective series I am really excited about, with characters I almost know as well as my real-life family and friends, and huge scope for developing storylines into the future.
Plus, I have three spooky novels under my belt that I am proud of and which have built me a great audience of readers.

So, now the proof is in the pudding, as the first book in The Gold Detective series, titled CRIMSON SHORE, will be released 1st June 2014. And I can’t wait to see what readers think of my move into straight crime fiction.

Does that mean the end to the ghosts and historical crime novels? Of course it doesn’t! Remember, always stick with your instincts and set out to write the book that you would most like to read.


22241585

You can find me at
follow me on twitter @gillyhamer
or like me on Facebook  https://www.facebook.com/pages/Gillian-E-Hamer/279383198798678

***


Excerpt from Crimson Shore (release date June 1st 2014) in e-book and paperback.

CHAPTER ONE

Jamilah Patel looked up from her magazine. An article on eyebrows and the latest trend of ‘threading’. Jamilah hated her thick, glossy black brows and these girls looked so sophisticated and sexy. Not that she had any hope of getting them done. Her mam would have a fit and die if Jamilah ever came home looking like one of these models. She glanced at her watch and sighed.10:41pm. How could one hour pass so slowly? She hated the last hour of her shift, especially on quiet nights. She’d already cashed up as much as she could and locked the cigarettes in the storeroom.
She glanced up at the CCTV camera in the corner of the small shop. Bane of her life, it was. Without it she’d already be outside, taking the pump readings, ready to catch the last bus at five past. But she knew first thing Mr Palmer did every morning was check the previous night’s tape. He’d made a big thing of telling her that in her interview, made it clear he knew what time the bus went through and how getting the job relied on her having transport. Thankfully, her mam hardly ever used her Micra. Palmer made an equally big thing telling her she was paid an extra quarter of an hour to cash up and lock up, which meant lights did not go out until eleven pm on the dot.
Though who he thought might wander out this way in those last five minutes, she’d no idea. It was too early for the drunks to be leaving the pub and too late for the nice folk to be this far out of town. Since the new dual-carriageway had cut the island in half, the A5 was more or less abandoned. Once thriving villages along its route now left like ghost towns, empty shells of what they had been for over two thousand years.
Mr Palmer had told Jamilah that, with a catch in his voice and a wistful look in his eye, almost like he could remember right back to the days when legions of Roman infantry had laid the very foundations. She knew the garage had been in his family for three generations though, and she also knew how much his takings had suffered in recent years with the by-pass and more supermarkets spreading onto the island.
She glanced outside. The road was empty, the night still and damp and cold. She was distracted by her reflection in the bright glass, turned her head one way then the other, pouted and flicked her long black hair over her shoulder. Jamilah. Translation: beautiful and graceful. Was that what they meant by irony? No doubt her parents meant well at the time. Her nose was too big and had an annoying bump right in the middle, and her skin was always greasy no matter what type of cleanser she used. Her mam said she’d grow out of it, but her mam said that about most things, and she was nineteen now. How old did she need to get? As for graceful, well, that was another joke.
She closed her magazine and checked the digits again. 10.51pm. How could only another ten minutes have crawled round? It was like time had slowed to a stop.
Headlights caught Jamilah’s attention and she looked up. A car swerved across the road, clipping the kerb as it pulled onto the forecourt and lurched to a stop. She was immediately alert. Youths or drunks. Either meant bad news. It was a big black car, with black windows, parked just outside of the spread of the neon light from the canopy. It reminded her of a huge panther, waiting in the shadows, ready to attack its prey. There was a sense of movement inside, but no one appeared. She leaned forward. She couldn’t see the number plate from that angle and the headlights were glaring straight at her anyway.
Aware that she’d be visible behind the glass, she slid down from the stool and made a big show of pulling down the roller shutter over the meagre display of alcohol behind the counter. Whatever they wanted, they’d need to be quick. Another glance at her watch told her she only had another four minutes to go. 
She bent to turn off the power to the display cabinet and pushed the button to run the end of day procedure on the Lottery machine. She jumped as the door at the far end of the shop rattled. Someone thumped the glass, three times, four. Jamilah stepped back to her stool and leaned across the counter, trying to twist enough to see the door, but it was out of her vision. The black car was gone. The door rattled again. She sighed and pressed the button on the tannoy.
“Hello? Can you come to the Night Pay window please?”
Jamilah’s heart picked up speed. Please don’t let it be drunks. She had to go out and read the pumps in a minute and she couldn’t do that if there were yobs hanging around. She’d had to ring Mr Palmer one night, before last Christmas, when two gangs had decided to use the forecourt as a boxing ring. Her boss hadn’t been well pleased, neither had the police when they arrived to find the gangs had scattered.
The door rattled again.
Bloody hell. Jamilah scowled and pushed the button on the tannoy with more force, staring out into the false brightness of the canopy lights.
“Hello? I said the door’s locked. Can you come to Night Pay? I’m about to lock up.”
To reiterate the point, Jamilah cut the lights, leaving just the middle row for her to see by.
She waited. This was ridiculous. If this was no more than kids pratting about, she’d make them wish …
A white face appeared at the window. Jamilah lurched backwards; a brief scream of surprise escaping her as she banged her shoulder against the metal casing of the cigarette cabinet.  She saw bloodshot eyes, a wide mouth, lips moving, tears streaming down the round, chubby face of a middle-aged woman.  Her dyed black hair was pulled back tight, gold rings in fleshy pink ears caught the light from the shop as she swung her head one way and then the other, checking over each shoulder. The woman raised both fists to bang on the glass and Jamilah noticed grazed knuckles and torn, bloodied fingernails.
The mouth opened wider, showing brown, stained teeth as the woman grimaced, her words louder now, clear through the glass.
“Help! Help me. Jesus … help!”
Jamilah began to tremble but shook her head, remembering Mr Palmer’s words. Trust no one. True, the woman looked in genuine distress, but it could be a set up. He’d drummed it into her all through her training, never open the door to anyone at night. Anyone for any reason. To break that rule was instant dismissal and she couldn’t afford to lose her job if she had any chance of ever getting off Anglesey. But this poor woman, she looked terrified, who was she running from …?
Jamilah pressed the tannoy, fighting her inner instincts. “I can’t open the door, love. What’s the matter? Do you want me to call the police?”
The woman shook her head, opened her mouth and screamed again.
No, howled.
Jamilah stepped away from the glass, afraid to be so close to the beating fists, now leaving a slug’s trail of glistening red across the surface of the window. She slid her hand into her bag and reached for her mobile. No way was she going to be trapped in here all night. She wasn’t paid to sort this kind of thing. Mr Palmer would have to come down from the village —
A black shape loomed behind the woman’s frantic face. Jamilah saw it first, squinted against the shop lights to make out its form, even before the woman sensed its presence. It seemed to glide down like a giant bat, red-tipped talons folding silken wings around the woman as it landed, dragging her backwards. The woman was large, fat even, her bosom pushing against a blue t-shirt, rolls of fat squeezing a muffin-top over navy jogging bottoms. But in her agitated state she stumbled off-balance, arms reaching out towards Jamilah as the black shape dragged her backwards. Their eyes met for a brief second, and Jamilah let out a sob, feeling the scorch of pain and terror as the shape seemed to consume the struggling figure. The woman jerked, once, twice as the shadows next to the car-wash swallowed her whole.
Jamilah coughed to clear the lump that was wedged in her throat. Her head spun and her legs were jelly. She knew she could no more go outside than she could fly to Mars. What the hell was that? What just happened? And what was that thing?
Another howl, louder and more terrifying, pierced the night.
Jamilah held onto the wall and slid to her haunches. Using the shelter of the counter as cover, she dug out her mobile, scrolled past Mr Palmer’s number, and with shaking fingers pressed 999. 


© copyright Gillian E Hamer 2014


Gillian ~ Thank you so much for being our guest today.
 Jaffa and I wish you much success with Crimson Shore.


*~*~*

Gillian is very kindly giving away a Kindle copy of Crimson Shore 
to one lucky winner of this giveaway