Saturday, 14 September 2013

Review ~ Sense and Sensibility by Joanna Trollope

18393213
Harper Collins
Publication 24 October 2013

When I heard that there was to be a reworking of Jane Austen, I must admit that I was sceptical, and largely fell into the camp of those purists who believed that there was no need for the masterpieces of Jane Austen to be reworked. So it was with some trepidation that I started to read Joanna Trollope’s version of a more contemporary Sense and Sensibility. Initially, I felt that the prose was all wrong; the Dashwoods came across as shallow, weak and rather too insipid, and I seem to be forever comparing them to the more durable description offered by Jane Austen, and that’s when I realised that I had to lay aside my rather battered classic copy of Sense and Sensibility, and started to concentrate on this version as being entirely ‘new’, rather than a pale imitation of the original. After that I started to enjoy the book on its own merits.
The story does indeed lend itself to a light and easy to read contemporary version, and whilst there is much to compare the ruinous nature of today’s rather impecunious society, there is also the same sense of traditional values. It became entirely convincing to see Willoughby’s skill with a top of the range Aston Martin, replace Austen’s description of Willoughby, as there not a being ‘a bolder rider in England’.
All this is beautifully expressed within the novel as with multi layered efficiency, and with no loss of character from the original, Joanna Trollope has infused new life into a story, which some may have said was outmoded and outdated.
It goes a long way to prove that, in the hands of a talented and clever author, even the reworking of a major classic can be deemed to be entirely successful.

It would be utterly wrong of me to assume that I can compare the writing of one of England’s finest novelists with one of her modern day counterparts, so for the Jane Austen purists amongst you who feel it is bordering on the sacrilegious to rework such a classic masterpiece as Sense and Sensibility, I would suggest that you approach this as you would any new venture, with an open mind.

You may even be as pleasantly surprised as I was !

 ***


 My thanks to Lovereading.co.uk and Harper Collins for my advance reading copy of this book.

A small number of Lovereading members were lucky enough to be invited to review this title - you can read their thoughts on the book here

Sense and Sensibility by Joanna Trollope will be available through Lovereading.co.uk and other book stores from the end of October 2013.

Read more about The Austen project here 

Twitter#austenproject
Pinterest/austenproject
facebook /austenproject

Friday, 13 September 2013

Today my author spotlight falls on Emylia Hall...

Jaffa and I are delighted to welcome back to my blog


Photo by kind permission



As she publishes her second novel



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Emylia thank you so much for taking the time in this busy publication week to answer a few of our questions.


What can you tell us about A Heart Bent Out of Shape that won’t give too much away?

The story takes place in the Swiss city of Lausanne, and follows a nineteen-year-old student called Hadley as she spends a year there as part of her studies. When she arrives she's something of a clean sheet, and yet to experience any of life's more intense sensations, but throughout the course of her year abroad that all changes. First love, first loss, true & testing friendship... I basically throw everything at her. I wanted to capture that feeling of being young and abroad and excited and free, while injecting a slightly darker note; the contrast of a perfect place, and an imperfect sequence of events, appealed to me.


Where did you get the first flash of inspiration for the story?

Lausanne is an important city to me as I spent a year there when I was Hadley's age, and loved every minute. It was my first taste of living in the depths of a city, let alone a foreign one (I grew up in the countryside, and my UK university - York - was something of a campus bubble). While I'd travelled fairly extensively in Europe with my family I'd never lived abroad, and it was something I was desperate to do. One of the reasons I chose to study English at York was for its study abroad programme - I was looking at guidebooks for Switzerland at the same time as the university prospectus, and set my heart on going to Lausanne before I'd even stepped foot in Yorkshire! When I look back it was a truly golden year, and the remarkable thing is that I appreciated all of its special qualities at the time too - the whole time I lived there, I never took a day for granted. It felt like a really natural thing for me to set a story in Lausanne - I can't even remember the moment I thought of it - I guess I've always known that such a beloved city would find its way onto the page somehow, somewhere. I just hope I've done it justice in A Heart Bent Out of Shape.


You have set this book in Switzerland - how important is location to your story?

I wanted the city to almost feel like another character in the story. I hope that my novel truly transports readers, so they begin to see the city through Hadley's eyes and love it just as she does. As a setting, Lausanne is wonderfully dramatic, it's on the shores of Lac Léman, ringed by mountains, with twisting cobbled streets, and a luxurious feeling waterfront. It dazzles in the summer but my favourite Swiss season has to be winter... in Lausanne snow blankets the streets and the lake churns with ice-cold water. Vendors sell hot cider and roasted chestnuts, and everyone's dressed very smartly in long coats and tightly knotted scarves. There are also so may of those perfectly crisp and cold, blue-sky days in Lausanne, the kind which are so much rarer in England. It seemed that no matter how cold, how snowy, how grey the sky, at some point the sun would always come out... or maybe that's the rose-tinted spectacles of memory! I took a huge amount of pleasure in writing my version of the city, and feeling like I was sharing it with readers.


A Heart Bent out of Shape is your second novel – did you feel more of an obligation to make this book even better than the first?

I definitely felt the pressure with my second novel, but that was all entirely self-imposed. The deadline seemed to be a privilege in the beginning, it was exciting to think that I had an agent and editors waiting to read my work, and it made the whole 'being published thing' feel really real... But about halfway through the process I began to sweat a bit. I was worried about not doing justice to the story I wanted to tell, some days wondering if I could do it at all, or finish it on time. But I got myself through that sticky patch with hard work, seriously focused time on the novel, and the support of my 'early readers' - my husband Bobby, my friend Kate, and my family. About five months before my final deadline, something clicked and I began to love the process again, I felt consumed by the story and felt confident in it. That was a great feeling, and I'd far rather it was that way around rather than starting out thinking it's a breeze then stumbling in the final stages.


Can you tell us if you have another novel planned?

I'm currently working on my third novel, and am about a third of the way through a first draft. I have a really strong sense of the story and what its 'heart' is, but there's a long way to go yet. I think that as a writer you either find this part of the process a joy or a struggle, and right now, I'm leaning towards the latter, but I know I'll get there in the end. When I have a first draft, no matter how rough, that's when I'll start to breathe easier... I enjoy the rewriting, the moving things around, the cutting and tinkering part of the process... The story's mainly set in Cornwall, and I'm loving having a reason to go there as often as possible. You can't beat first hand inspiration, and that's what I'm always looking for when I'm writing.


Emylia ~ thank you so much for sharing your thoughts and for giving such insightful answers to our questions.

Jaffa and I love having you visit us.

Come back to see us again soon.

**

My Review

The pretty town of Lausanne in Switzerland is the setting for this compelling story of first love, lost love, hidden desire and tragedy.

When Hadley Dunn takes up the opportunity of studying for a year at a university in Lausanne in Switzerland her excitement is palpable, and as she arrives in the picturesque town with its lake and mountains, she is aware of a sense of freedom, the like of which she has never before experienced. Her friendship with the beautiful and enigmatic Kristina opens her eyes, not just to a world of pleasure but also to the possibility of excitement on a grand scale. However, as the first real snows of winter arrive, there is an overwhelming tragedy and Hadley turns to her tutor, Joel Wilson, a professor of American Literature, for support. However, as Hadley and Joel attempt to discover the uncertainty surrounding the tragedy, the fine line between friendship and desire, threatens to complicate things even further.

At the centre of the story is a well controlled mystery with nail biting suspense, but there is also a sensitive exploration of love and illicit desire. The almost mesmeric quality to the narrative brings the town of Lausanne so wonderfully to life that it very quickly becomes one of the major characters in the novel. The sizzle of the town in its summer heat rests beautifully against the majesty of the spiky French Alps, and the streets and cafes with their picture postcard perfection are realistically exposed to scrutiny.

 Sometimes there is a danger that a second novel won’t live up to the brilliance of the first, but rest assured there is no such danger with A Heart Bent Out of Shape. There is no doubt that Emylia Hall, in just two excellent novels, has captured this genre and I am confident that her writing will simply go from strength to strength. I really can’t wait to see what she does next. 




Here's your chance to win a copy of this lovely story for yourself






~***~







Thursday, 12 September 2013

Jane Green ~ Interview and Giveaway

Tempting Fate by Jane Green

Happy Publication Day


17471738
(Michael Joseph, Paperback Original, 12th September/ £7.99
ISBN:  978-0718157586



When Gabby first met Elliott she knew he was the man for her. In twenty years of marriage she has never doubted her love for him - even when he refused to give her the one thing she still wants most of all. But now their two daughters are growing up Gabby feels that time and her youth are slipping away. For the first time in her life she is restless. And then she meets Matt . . .

Intoxicated by the way this young, handsome and successful man makes her feel, Gabby is momentarily blind to what she stands to lose on this dangerous path. And in one reckless moment she destroys all that she holds dear.
Consumed by regret, Gabby does everything she can to repair the home she has broken. But are some betrayals too great to forgive?

**



Jane thank you so much for taking the time to answer questions about your latest book



Tell us a little about Tempting Fate and what’s in store for your main character Gabby.

I am fascinated by the number of women around me, in their forties, who are teetering on the brink of a mid-life crisis. Something seems to happen to women during our forties,when we look at our lives and ask ourselves whether this is what we expected, or perhaps really wanted. Marriage, kids, life, all feel a little 'pots and pans'; we love our husbands and kids, but we miss feeling beautiful, seductive...alive; we miss feeling excited. If we're lucky, we move over that hump and settle into the afternoon of life, but should someone come along who sees us as we used to be seen, who makes us feel all the things we miss about being young, that can be dangerously intoxicating. Gabby is a woman in her forties who would never be unfaithful, who loves her life, but when a younger man comes along who makes her feel beautiful, she plays along, flattered, intoxicated, not planning on doing anything, just wanting to feel this way for a little bit longer... Tempting Fate is about cherishing what we have before it's too late, and whether we can ever fix it once we have made a mistake.


When you are writing, do you use any celebrities or people you know as inspiration?

I draw from everyone and everything. I can't specifically think of instances where I've used celebrities, but I'm sure it has happened. Certainly I have used characters from non-fiction memoirs, and people in my life, although the characters are never entirely based on any one person. Years ago, when I thought I was writing characters based on friends, I realised very quickly they developed into their own character within a few pages, nothing like the visual snapshot of the real person I held in my mind.


With over 10million copies sold, you are one of the biggest brand women’s fiction authors of all time. What has been your most memorable experience as an author to date?


It is mostly the little things that blow me away. Someone recognizing my name from my credit card in a shop and saying, 'wow, you have the same name as my favorite author!', or being shown to a table in a restaurant and have someone whisper that Jemima J was her most favourite book ever. But I have to confess, being sent to meet Harrison Ford and have him fly me up to Malibu in his helicopter, probably won't ever be matched. He was the real deal: an old school movie star with buckets of humility and charm.


Can you tell us a bit about your average working day?

I am usually up at the crack of dawn, often running to an early meeting - I am in a fellowship of people that meet several times a week - before hitting a small writer's room in town with my laptop and a giant cup of coffee. I'm usually at my desk by 8.30, and sit and write until lunchtime. I set myself a daily quota of words, and won't leave the computer until those words are on the page. The last couple of years I have also taken myself off to a self-imposed writing retreat a couple of times a year. I go to little Inns, or to houses on lakes belonging to friends, and do nothing but write for five days. Those days are much more intensive - I write for around eight hours a day, and am completely exhausted afterwards - the beauty of going by myself is I don't need to do anything afterwards except crawl into bed. I'm now thinking about buying somewhere - a little tiny cabin on Golden Pond does sound rather delicious...


What do you like to do when you’re not writing?

I cook, garden, decorate, entertain, keep chickens, look after children, dogs and cats, make candles, make jewelry, read... I'm the ever-ready bunny. I keep going until the batteries run out. Which they do at around 8.30pm. I am good at many things, but late-night partying is sadly not one of them.


My thanks to the team at Michael Joseph for the opportunity to feature this interview with Jane Green on my blog.

***

My review of Tempting Fate


I've been a fan of Jane Green’s writing for quite a few years, and am always reliably reassured that whatever she writes will be both entertaining and enjoyable. In this latest book she has taken the idea of a slightly more mature female protagonist and has developed the idea that familiarity in a marriage can sometimes breed contempt.

Forty-something Gabby has been married to her husband Elliot for twenty years, and as she experiences her children growing up into adulthood, Gabby also begins to see her own youth sliding away from her. When she meets, and is attracted to Max, a much younger man who is not just charismatic and successful, but who also manages to make Gabby feel special, we sense that Gabby, already vulnerable in middle age, will find that Max’s appeal is too much to resist.

There is no doubt that Jane Green has captured the intimacy and the inherent danger that all too often heralds the temptation of an extra marital fling, and she mixes it into a believable account of cause and effect. As always the writing is impeccable with a believable set of circumstances, and as the story draws you into the disintegration of Gabby’s reckless year, you experience such a sense of familiarity amongst the characters that you almost find yourself pleading with Gabby to just take a more realistic look at her life, but of course this can’t happen, and such is the power of storytelling that you really have to read on until the conclusion of the book.


And here's your chance to win a paperback copy of Tempting Fate.
(UK only)

Wednesday, 11 September 2013

Review ~ The Outlaw Knight by Elizabeth Chadwick

17586453
Sourcebooks Landmark
3 September 2013

I first read this story in 2000, when it was published in the UK under the title Lords of the White Castle, so it has been a real treat to revisit a story which whilst never forgotten had lost some of its sharpness from my memory. There is always a danger when revisiting a story that it could lose something in the re-read, not so the case with The Outlaw Knight. As always Elizabeth Chadwick proves why she is such a master of medieval romantic adventure. She imbues in her characters such a sense of time and place that you are instantly transported back in time to a land of courtly love and chivalric honour, and where danger lurks behind the cold stone wall of every castle keep.

In this, the second of the Fitzwarin novels, she continues the story which she started in Shadows and Strongholds, and continues the dynastic responsibilities of the Fitzwarin family as they fight for repossession of their inheritance, namely Whittington Castle in Shrewsbury, Shropshire. Based on the factual history of the Fitzwarin family, and with a few minor embellishments this story abounds with treachery, outlawry, and the brutal and violent struggle of one Marcher lord pitted against another.

As always the author’s research is impeccable, the story telling effortless and the ability to draw the reader into the medieval world of glory, honour and treachery is brought to life in such a way that you smell the horses, feel the cold and creep carefully in the shadows of a violent time, vividly recreated.


My thanks to NetGalley and Sourcebooks Landmarks for the opportunity to read this novel.

Monday, 9 September 2013

Today my Author Spotlight in on Marie Macpherson.....

I am delighted to introduce



Photo by kind permission of the author





13278548




Hailes Castle, 1511. Midnight on a doom-laden Hallowe'en and Elisabeth Hepburn, feisty daughter of the Earl of Bothwell, makes a wish ― to wed her lover, the poet David Lindsay. But her uncle has other plans. To safeguard the interests of the Hepbum family she is to become a nun and succeed her aunt as Prioress of St. Mary's Abbey, Haddington.

However, plunged into the political maelstrom and religious turmoil of the early Scottish Reformation, her life there is hardly one of quiet contemplation. Strong-willed and independent, she clashes with those who question her unorthodox regime at St. Mary's, including Cardinal David Beaton and her rival, Sister Maryoth Hay.

But her greatest struggle is against her thrawn godson, John Knox. Witnessing his rejection of the Roman Catholic Church ― aided by David Lindsay ― she despairs that the sins of her past may have contributed to his present disenchantment. 

As he purges himself from the puddle of papistry, Knox finds his voice, denouncing everything he once held dear, but will that include his godmother, Prioress Elisabeth? And by confessing her dark secrets, will Elisabeth steer Knox from the pernicious pull of Protestantism or drive him further down the fateful path he seems hell-bent on; a path that leads to burning at the stake?

In a daring attempt to shed light on a wheen of unanswered questions about John Knox's early, undocumented life, this novel throws up some startling claims and controversial conjectures.

***


Marie - welcome to our blog and thank you for taking the time to answers our questions about




Tell us a little about The First Blast of the Trumpet, and why you were inspired to write this story? 

Very briefly, The First Blast of the Trumpet is a fictional account of the early, relatively unexamined life of the Scottish reformer, John Knox. I must admit I never set out to write about such a controversial character for I was more fascinated by the tragic romantic figure of Mary Queen of Scots. But while researching the Treaty of Haddington that betrothed her to the French dauphin, I stumbled across Knox who, toiling at the oars as a galley slave, may even have rowed her to France. This possible coincidence was too tempting to ignore and set me off on my own journey of discovery to uncover more about Haddington’s most famous son and the Founding Father of the Scottish Reformation.



In your research for the novel, did you discover anything which surprised you?

What first surprised me was not only how little was known about Knox’s early life but how little had been written about him in general. Perhaps writers are afraid to tackle this ‘sacred cow’, which is ironic considering Knox’s attitude towards holy icons! Also there was a lot of misinformation about him. For example, I’d assumed that the man who wrote the polemical pamphlet, The First Blast of the Trumpet against the Monstrous Regiment of Women must have been a rampant misogynist but the title is misleading. In his attack on the ‘monstrous’ – that is to say ‘unnatural’ – rule of Catholic female monarchs of the time, he does denigrate women as inferior beings but, to be fair, he was only voicing what most men at the time believed. In fact, as his correspondence shows, Knox admired and respected women: he was married twice and other men’s wives left their husbands to follow him. So finding out that the pulpit-thumping tyrant was not a woman-hater but clearly had great charisma was indeed surprising. John Knox – ladies’ man? This merited further investigation.



The First Blast of the Trumpet contains a rich Scottish vernacular - how important was it for you to keep the integrity of the story without compromising readability? 

I have to admit I felt I’d compromised my integrity when I gave in to a request from a publisher’s reader to substitute the Scots vernacular with Standard English. I spent ages rewriting – with a sinking heart it has to be said – for it had been a labour of love researching 16th century literature, including poetry, ballads and songs for authentic vocabulary. Besides, Scots was the language I heard my characters speaking! It didn’t sound the same at all so I was delighted when the publisher apologised and asked me to put it all back in. For, in losing the Scots language, my story had lost its originality, its voice and they, too, realised just how important it was to its uniqueness, its integrity. Now I’d defend the use of Scots and argue (and here’s the language teacher speaking!) that it’s not necessary to know the exact meaning of every word and phrase as long as they can be understood from the context.



If you could meet three characters from your book - who would you choose and why.

First off it would have to be Prioress Elisabeth Hepburn, who must have been a real feisty dame! Reluctant nun with a shady past – what a tale the Jaggy Thistle, as I affectionately call her, could tell!

I’d also want to quiz Knox about his life before he left the RC Church and find out what secrets he wanted to keep hidden and why.

I’d loved to have attended the first performance of Sir David Lindsay’s theatrical masterpiece, Ane Satire of the Three Estates. What a storm this scathing attack on the Roman Catholic Church must have caused at the time! It’s a wonder he wasn’t arrested for treason.



Is there a tantalising teaser you can offer us about book two in the series? 

'The Second Blast’ explores a complicated love triangle. I'm intrigued by Knox’s tortuous relationship with Elizabeth Bowes, an ardent follower, whose 16 year-old-daughter Marjory married the forty-year-old preacher. How I’d love to be a fly on the wall in that household!


Marie - Jaffa and I have loved hosting this interview - we wish you continues success
with your book.



Here's a chance to listen to Marie narrating the historical background to her novel







Marie has very kindly agreed to offer a paperback copy

of


to one lucky winner of this International Giveaway

Good Luck !



Sunday, 8 September 2013

Review ~ The First Blast of the Trumpet by Marie Macpherson

Keep Tryst


13278548
Knox Robinson
2012
Book One of the Knox Trilogy

‘There’s no rhyme nor reason to it. Your destiny is already laid doon’

It’s often said that truth is stranger than fiction, and in this fictionalised account of the early life of the Scottish religious reformer John Knox, supposed truths are revealed and opened up to scrutiny. The story begins in 1511 at Hailes Castle in Scotland, where on the night of Hallowe'en, three girls contemplate their future, and even as they hurl their tokens into the crackling flames of the fire, there is a sense that fortune favours the brave, and there is none more destined to be daring than Elisabeth Hepburn, daughter of the late Patrick, 1st Earl of Bothwell. Elisabeth is a wee jaggy thistle, with scratchy edges and a nippy tongue, and her destiny, as the Roman Catholic Prioress of St Mary’s Abbey, in East Lothian, will be rife with ecclesiastical skulduggery and religious mania. 

The early years of the Scottish reformation forms the basis for much of the story, and names which have lingered in the dusty alcoves of your mind suddenly spring to life. From the sumptuous palaces of the Stewart kings, to the corpulent deity of power hungry religious houses, there is a rich array of authentic Scottish voices which echo and linger. And even as the whisper of Davie Lindsay’s poetry flutters in dark and dangerous corners, there is an overwhelming need to witness for oneself the immorality which led John Knox into becoming such a fervent ecclesiastical reformer. 

The rich Scottish vernacular runs like a Celtic ripple throughout the narrative, and what could have been a hindrance, to this Sassenach, soon became a unique dialogue that reverberated with the life and soul of a story that grew rich in the telling. There is no doubt that the author has a unique way with words, and dark though the story is, there is also a lightness which, at times, belies its strength, and what could so easily have become a religious diatribe soon becomes a riveting portrayal of the birth of Scottish religious reform. The clever interweaving of characters both real and imagined adds an authenticity which I found to be quite compelling, and in whose company you feel strangely complete. 

My own personal knowledge of Scottish history has been reliant on the talented writing of a select group of historical fiction writers who collectively delve into the minutiae of Scottish politics and royal culpability, and who have, over time, provided a readable and believable account of events of historical significance. Good though their writing has been, I have never felt as truly immersed in the history of this enigmatic nation until I was plunged headlong into reading The First Blast of the Trumpet.

***

Do come back tomorrow to meet Marie Macpherson, the author of The First Blast of the Trumpet, and for a chance to win a copy of this book.



Saturday, 7 September 2013

Review~ The Twins by Saskia Sarginson

15984267
Hachette Books
2013

The unshakeable bond between twins is expertly explored in this compelling story about sibling complicity. Viola and Issy had an unconventional childhood, living with their ‘wild child’ mother in an idyllic village setting. They were allowed to run wild amongst the fields and hedgerows and thought that their childhood would last forever. When an innocent mistake rips their world apart, they must live with the consequences of their actions.

The story opens as the twins, now in their twenties, are living independently and the narration flits between past and present. Sometimes the story is told in the third person by Issy, who is the more independent of the twins, and at other times in the first person, by Viola, who is an inpatient in hospital. Both sides of the story are compelling, but it is Issy who is the real narrator and the driving force behind most of the story.

Overall, I think this is a commendable debut novel; the author has a good way with words and describes scenes very well. There is good imagery and both the twins and their lives are sympathetically portrayed. I was especially drawn to Viola, who whilst incarcerated in hospital still plays a major part in the narrative.


I am sure that this author will go from strength to strength, and I look forward with great interest, to reading more of her books in the future.



My thanks to NetGalley and Hachette Book Group for my review copy